A delightful addition to the vibrant LA art scene, Post-Fair in Santa Monica provides a refreshing alternative to the bustling main event of Frieze Los Angeles. This unique three-day art fair, conceptualized by LA-based dealer Chris Sharp, offers a more intimate and collegial space for galleries to showcase their work without the pressures of larger commercial events. Nestled in a historic Art Deco post office built in 1938, Post-Fair boasts a curated selection of 29 exhibitors and project spaces, featuring a blend of local talent and internationally renowned galleries like P.P.O.W. and Sprüth Magers.
A Closer Look Inside Post-Fair
Stepping into the elegant setting of the Post-Fair venue, visitors are greeted by red marble walls, a magnificent exposed beam roof, and an intricate wood floor illuminated by soft globe lighting. Unlike traditional booth setups, galleries are represented by single gallery walls positioned in the center of the room, creating a more interactive and engaging viewing experience. Sharp’s solo presentation of works by the late Iraqi German sculptor Lin May Saeed showcases a profound depth of tenderness in sculptures crafted from discarded materials like Styrofoam, offering a unique perspective on the artist’s legacy.
Sprüth Magers and P.P.O.W. present equally captivating pieces, including the works of Kaari Upson and Harry Gould Harvey IV, respectively. Upson’s poignant creations, one of her final bodies of work, evoke a sense of nostalgia and introspection, while Harvey IV’s intricate drawings and hand-carved wooden frames invite viewers to unravel layers of symbolism and meaning. Each piece is a testament to the diverse and thought-provoking artistry on display at Post-Fair, inviting visitors to immerse themselves in a world of visual storytelling and creative exploration.
Unveiling Hidden Gems
Among the standout exhibits at Post-Fair is Angela Anh Nguyen’s booth, featuring vibrant gun-tufted textiles that playfully critique American pop culture and internet discourse. Nguyen’s larger-than-life depictions of punks and nerds adorned with a myriad of visual references capture the essence of contemporary society with a touch of humor and irony. The interactive nature of Nguyen’s work invites viewers to reflect on their own relationship with media and technology, adding a layer of introspection to the viewing experience.
Further exploration leads to Good Weather’s presentation of new works by Detroit-based artist Dylan Spaysky, inspired by Walt Disney’s multiplane camera technique. Comprising repurposed mirrors, frames, and one-way mirror film, Spaysky’s creations pay homage to classic animated films like Snow White and 101 Dalmatians, evoking a sense of nostalgia and wonder. The intricate craftsmanship and attention to detail in Spaysky’s pieces offer a glimpse into the artist’s creative process and storytelling abilities, captivating audiences of all ages.
As the curtain falls on Post-Fair, visitors are left with a sense of fulfillment and inspiration, having experienced a diverse and thought-provoking collection of artworks in a unique and welcoming setting. The fair’s emphasis on collaboration, risk-taking, and creativity sets it apart from larger commercial events, providing a breath of fresh air for art enthusiasts and collectors alike. In a city known for its traffic and congestion, Post-Fair shines as a hidden gem waiting to be discovered, offering a glimpse into the vibrant and dynamic art scene of Los Angeles.
