The Return of a Masterpiece
After a decade of meticulous conservation efforts, the National Gallery is set to welcome back a true gem of Italian Mannerism, Parmigianino’s “Madonna and Child with Saints,” also known as ‘The Vision of Saint Jerome’. This masterpiece, the only major altarpiece by Parmigianino in UK collections, will be on public display from 5 December 2024 to 9 March 2025.
A Glimpse into History
Created by Parmigianino at the tender age of 23 during his time in Rome from 1524-1527, ‘The Madonna and Child with Saints’ was a significant public commission for the budding artist. Intended to grace a chapel in the church of San Salvatore in Lauro, it features a poignant depiction of Madonna and Child with Saints John the Baptist and Jerome at her feet. Despite being his first and only completed work in Rome, it stands as a testament to his early talent and promise.
A Tale of Resilience
During the tumultuous Sack of Rome in 1527, Parmigianino found himself in a precarious position as imperial troops invaded his studio. However, instead of destruction, his remarkable artistry captivated the soldiers, leading to a deal where he could continue his work in exchange for creating drawings for them. Despite fleeing Rome soon after, his masterpiece was safeguarded and later transferred to a family church in Città di Castello, where it remained hidden until after his passing.
A Journey Through Creativity
Parmigianino’s legacy as a skilled draftsman shines through in the preparatory drawings for the altarpiece, showcasing his unwavering dedication to his craft. The upcoming exhibition not only presents the finished painting but also a curated selection of these preliminary sketches, offering a glimpse into the artist’s creative process. From the soft, velvety chalk studies to the lively pen and ink sketches, this unique showcase provides a comprehensive look at Parmigianino’s visual evolution and mastery across various mediums.
As a lover of art and history, I have always been fascinated by the stories behind these masterpieces. The trials and triumphs that artists like Parmigianino faced resonate with me, reminding me of the resilience and creativity that can flourish even in the most challenging times. So, as the Parmigianino Altarpiece returns to the National Gallery, I can’t help but feel a sense of connection to the artist and his enduring legacy, captured in each stroke of his brush and pen. It’s moments like these that make me appreciate the power of art to transcend time and touch the hearts of all who gaze upon it.
