LAUNCHED IN 2011, the Getty Foundation’s Pacific Standard Time initiative (now called PST ART) coordinates and supports the presentation of thematically linked exhibitions across Southern California. Its fourth iteration, focused on the topic “Art & Science Collide,” opened last September and continues through February 16, with work by more than eight hundred artists on display at over seventy museums and galleries. To help make sense of this vast array of programming, Artforum’s West Coast Editor Bryan Barcena introduces us to the history and institutional politics of PST, while Michaëla de Lacaze Mohrmann tackles the framework of a collision between art and science and Red Cameron addresses the subset of exhibitions devoted to ecology. Reviewers Jan Tumlir, Andrea Gyorody, Suzanne Hudson, Annabel Osberg, and April Baca look closely at a sampling of what’s on view, with more reviews to come in our next issues.
Art Meets Science: A Fusion of Creativity and Innovation
Art and science, two seemingly disparate fields, have come together in a spectacular collision of creativity and innovation at the Getty Foundation’s Pacific Standard Time initiative. With over eight hundred artists showcasing their work across seventy venues in Southern California, the intersection of art and science has never been more captivating. From exploring the history and institutional politics of PST to delving into the framework of this collision, the exhibition promises a unique blend of artistic expression and scientific inquiry.
Unveiling the History and Politics of PST
As Artforum’s West Coast Editor, Bryan Barcena sheds light on the evolution of PST and the intricate web of institutional politics that have shaped this initiative since its inception in 2011. Through his insightful commentary, readers gain a deeper understanding of the forces at play behind the scenes, driving the narrative of art and science colliding in unexpected ways.
The Framework of Art and Science Collide
Michaëla de Lacaze Mohrmann takes center stage as she dissects the framework of the collision between art and science, unraveling the complexities of this dynamic relationship. By exploring the intersection of these two disciplines, Mohrmann invites viewers to question the boundaries of creativity and innovation, sparking a dialogue that transcends traditional artistic norms.
Exploring Ecological Exhibitions: A Closer Look
Red Cameron dives into the subset of exhibitions devoted to ecology, highlighting the profound impact of art and science on our understanding of the natural world. Through his analysis, Cameron uncovers the intricate connections between artistic expression and ecological awareness, paving the way for a deeper appreciation of the environment through the lens of creativity and innovation.
